Maria England (Eadiella)

Singer songwriter Maria England / Eadiella.

This is a pretty typical portrait session – featuring singer/songwriter Maria England, aka Eadiella – though Maria is clearly comfortable in front of the camera and had a clear idea of what she wanted. That is, Maria England isn’t your average portrait subject. We shot for about 90 minutes and produced twenty or more images that you’d be happy to use in your portfolio or on an album cover or as an image to hang on your wall.

Talking of potential album covers. These square-cropped images of Maria England / Eadiella (below) from the shoot would be stunning as album covers. All of them.

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In photography terms: All these images of Maria are shot on the Sony A1 with the Sony 85MM f1.4. I’m a bit surprised to see that; some of them look more like a 50mm FOV but then, it’s not always easy to tell. On the day I also used the Sony 35mm f2 Contemporary lens – a person favourite, and a severely under-rated lens – though none of the images taken with this lens made this cut (though they did make an earlier cut). I do wonder whether the image above, in black and white, is a bit too over-exposed but a) I like over-exposed images as a general rule and b) it helps to give the image a softness. I appreciate that this type of image can seem more like grey-and-white than black-and-white but I have moments when I don’t want my black and white images to be too contrasty, and this image (and the b&w images below) is one of them. Or it is for the moment.

And …. talking of wall prints: these images are striking presented as a trio on the wall.

One final image. This image a) didn’t seem to fit anywhere else on the page here and b) was overlooked for some time. It’s always funny how your ‘favourite’ images from a shoot often doesn’t reveal themselves until it’s too late. This is one of them. This was a shoot where the hit-rate was higher than usual and where, also, a number of images leapt off the screen instantly. I’m not sure that I gave this image much of a passing thought early doors but now it might just be the pick. There’s something classic about it.

Campbell Mattinson

This article was written by Campbell Mattinson, former chief editor of the Halliday Wine Companion book, former editor of Halliday magazine, former editor of Australian Sommelier Magazine and founder of the highly respected The Winefront site.

Mattinson has been an independent wine critic and photo-journalist since 1987. He’s the only Australian to have won the Australian Wine Communicator of the Year Award more than once. He’s a past winner of a Louis Roederer International Wine Media Award; is the author of the award-winning book The Wine Hunter; and is the author of the best-selling novel We Were Not Men. He’s also a winner of a St Kilda Film Festival Award (as writer-director) and is a former winner of the prized Best Australian Sports Writing Award.

Mattinson, who is 100% independent, puts a score out of 100 on every wine that he reviews. But what he’d rather do, is tell you the wine’s story.

https://www.campbellmattinson.com
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James Bade