Something else. Someone else.
Somewhere else.
You.
When I was nineteen and a cadet journalist, one of the newspaper’s photographers handed me his Nikon, taught me the exposure triangle in two minutes, and sent me off to take my own pictures of the story that I was covering. Afterwards he looked at the shots I’d taken and said: you're better at photography than you are at journalism.
For years I shot everything — rodeos, football, state elections, factory fires. Then, in the hurry and the ambition, the pictures fell away.
A long way down the road my daughter asked if I had a camera. I found one, and tried to photograph her. The result wasn't sharp, wasn't well composed — but as I looked at it, my breath went short. I picked the camera back up and knew, instantly, that it was more to me than just a gadget: it was air. It was life.
I photograph people, places and properties, properly, in essence, in their essence. That’s what I offer.
Award-winning work, in an industry that I love.
In 2020 I won the Best Film award in the regional category of the
St Kilda Film Festival as the writer-director-filmmaker. In 2026 I had three images shortlisted in the World Food Photography Awards. I’ve won awards for sports writing, journalism, and as a wine communicator. I’ve worked in the media for over 30 years and in the food-wine space for over 25 years.
Data is the new wool. A photo essay on the Goldsbrough Mort wool store, West Footscray – restored as WEFO, and with a $1bn data centre planned for the land behind it.
The sign outlasted the tenancy. A photo essay on the 1941 Australian Estates wool store, West Footscray – the building behind the Watswool name.
Four pink cars, a fifth in the garden with a Barbie numberplate, parked in front of a pink house in Footscray – a Melbourne photographer's field notes on the suburb's famous Barbie House.
They built the Victoria Hotel first. A photo essay on Benalla's 1873 railway pub – photographed in the year it sold, grand and striking, and having seen better days.
Campbell Mattinson photographs the Hosking & Son Electrician building in Effingham Road, Newport.
Australian editorial photographer Campbell Mattinson captures the Hot Wings Charcoal Chickens building in Ferguson Street, Williamstown.
I love this house, and love this picture. I couldn’t think of any other title than “Euroa House #2”, though it deserves better.
Ideas, impact, images.
The first image I ever had published in a newspaper was in 1987. It was a portrait. For the past 30 years I’ve taken pictures of people and places, moments and memories, for media outlets around the world.
A 7am beach shoot in Seminyak, Bali, with Moldovan model Hellena Koval. I barely had to direct her. These images are all frame grabs from the resulting video.
I was once the Werribee Park Mansion's tourism officer, more or less by accident. So when people ask whether it's any good for a portrait shoot, I have a view — and it isn't the tourist-brochure one.
I never meant to shoot a portrait session on a macro lens – but an hour with model Lucille King answered a question I hadn't asked: is the Tamron 90mm f/2.8 a good portrait lens?
Images of Melbourne model Holly MacKenna from a variety of shoot locations, taken by photographer Campbell Mattinson.
Angie Watkins was a star of Season 4 of Asia’s Next Top Model. Here she is in 2025, captured by Melbourne editorial photographer Campbell Mattinson.
Campbell Mattinson Photography also runs the campbellmattinson.com website.
An early Fujifilm portrait: Elena Nyleeta, shot on a tiny X-T20 with the original 35mm f1.4, inside the French-styled rooms of Anton Venoir Interiors (Salon Trois) in Prahran, Melbourne.
Built in 1941 by the American chemical giant, the old Monsanto building in Brooklyn stands deserted and heritage-protected – and looks mighty in monochrome.
Barry Morey at work in the Sorrenberg winery, Beechworth – drawing wine from a cask, as he has done since the late 1980s.
Eadiella
Eadiella is a London-born, Melbourne-based singer-songwriter whose run of singles – from her debut 'Wishing Well' through to the recent duet 'Higher Love' – has marked her as one to watch on the local folk-rock scene. I photographed her; these portraits are the result.
The Dave Powell Series
Black and white images of Barossa Valley winemaker Dave Powell by Campbell Mattinson.
